Greed (lost 8-hour cut of drama film; 1924): Difference between revisions

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[[File:Von.jpg|thumb|215px|The late actor/director Erich von Stroheim.]]
[[File:Von.jpg|thumb|215px|The late actor/director Erich von Stroheim.]]
Austrian-born Erich von Stroheim's 1924 silent film ''Greed'' (based on Frank Norris' 1899 novel ''McTeague'') is regarded by many to be one of the greatest films ever made, despite the fact that it was a failure commercially and critically, and that more than half of the movie was cut before its mass public release. '''The original cut''' was reportedly around eight hours and ran over 42 film reels, but was cut down to about four hours (24 reels) by Von Stroheim himself (partly against his will), after which time he insisted that he could not (or would not) cut another single frame of footage from the film.
Austrian-born Erich von Stroheim's 1924 silent film ''Greed'' (based on Frank Norris' 1899 novel ''McTeague'') is regarded by many to be one of the greatest films ever made, despite the fact that it was a failure commercially and critically, and that more than half of the movie was cut before its mass public release. '''The original cut''' was reportedly around eight hours and ran over 42 film reels, but was cut down to about four hours (24 reels) by Von Stroheim himself (partly against his will), after which time he insisted that he could not (or would not) cut another single frame of footage from the film.

Revision as of 00:52, 26 August 2017

The theatrical release poster.

Status: Lost

The late actor/director Erich von Stroheim.

Austrian-born Erich von Stroheim's 1924 silent film Greed (based on Frank Norris' 1899 novel McTeague) is regarded by many to be one of the greatest films ever made, despite the fact that it was a failure commercially and critically, and that more than half of the movie was cut before its mass public release. The original cut was reportedly around eight hours and ran over 42 film reels, but was cut down to about four hours (24 reels) by Von Stroheim himself (partly against his will), after which time he insisted that he could not (or would not) cut another single frame of footage from the film.

The film was then given to Von Stroheim's colleagues film director Rex Ingram and editor Grant Whytock, who cut it down to an even shorter 140 minutes (18 reels), before Ingram sent it back to Von Stroheim, who stated "if you cut one more frame I shall never speak to you again". The 140 minute cut was screened to the public, and became the definitive cut of the film, although in 1999, a four hour cut was released, with the aim of being closer to the director's original vision, although since, by that time, the additional scenes had been lost, still photographs were used in their place.

Only 12 people have seen the original cut, specifically at a special screening in January 1924. Many of them claimed that they had just witnessed "the greatest film of all time" and that it was "unlikely a better film would ever be created". Many have dubbed it the "holy grail" of film archivists. It's not entirely clear how the additional scenes became lost (allegedly, the footage was destroyed by a janitor), although many rumors of existing copies have been spread and some later disproved. Von Stroheim himself has confirmed that Benito Mussolini was once in possession of a copy of the original cut, but the fate of this copy (as well as the other rumored copies) is entirely unknown, and none of the lost scenes have been publicly discovered to this day.