The Other Side of the Wind (found Orson Welles film; 1969-1976): Difference between revisions

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Iranian authorities have since released the film, and the negatives currently reside in a vault in Paris to this day. Although two copies of the workprint are in existence, and despite numerous announcements by producers and directors (including Bogdanovich himself) that they would complete the film, debate about ownership of the film has delayed progress. The project is largely unedited, and Welles left ten hours of raw footage behind, of which only a few short clips have managed to surface.
Iranian authorities have since released the film, and the negatives currently reside in a vault in Paris to this day. Although two copies of the workprint are in existence, and despite numerous announcements by producers and directors (including Bogdanovich himself) that they would complete the film, debate about ownership of the film has delayed progress. The project is largely unedited, and Welles left ten hours of raw footage behind, of which only a few short clips have managed to surface.


[[Category:Lost films]]
[[Category:Lost films|Other Side of the Wind (lost Orson Welles film; 1969-1976)]]

Revision as of 19:29, 20 June 2016

Orson Welles, the writer and director.

Status: Lost


The Other Side of the Wind was an unfinished, unreleased film written and directed by Orson Welles shot between 1969 and 1976. The film stars John Huston, Bob Random, Peter Bogdanovich, Susan Strasberg, and Oja Kodar.

The plot concerns an eccentric Golden Age film director. Trying to recover from a career slump, he plans to make a new film in the tradition of the "New Hollywood" movement. He is killed in a car crash soon after, and friends and reporters question if his death was a suicide. In going through the footage of a recent birthday party, they discover that he had harbored several big secrets.

As Welles began filming, he first focused on the film-within-a-film. As with many of Welles' unfinished projects, financial problems forced him to stop filming multiple times. Conversation scenes were often shot as much as a year apart due to the fact that Huston hadn't been cast yet. Ultimately, the film was mostly completed, but since one of the financiers of the film was the brother-in-law of the recently-deposed Iranian Shah, Iranian authorities seized the film and stalled it indefinitely.

Iranian authorities have since released the film, and the negatives currently reside in a vault in Paris to this day. Although two copies of the workprint are in existence, and despite numerous announcements by producers and directors (including Bogdanovich himself) that they would complete the film, debate about ownership of the film has delayed progress. The project is largely unedited, and Welles left ten hours of raw footage behind, of which only a few short clips have managed to surface.