Larceny (lost Christopher Nolan short film; 1996): Difference between revisions
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The film has a runtime between 8-9 minutes, contrary to what BFI lists.<ref>[http://collections-search.bfi.org.uk/web/Details/ChoiceFilmWorks/150658318 British Film Institute page for Larceny.] Retrieved 21 Jul '21</ref> This is supported by the UCL film society page and a Nolan interview conducted during the post-production of Memento.<ref>[https://chrisjonesblog.com/2010/08/exclusive-interview-with-christopher-nolan-and-emma-thomas-from-our-guerilla-film-makers-archives.html Exclusive Interview with Christopher Nolan and Emma Thomas from our Guerilla Film Makers Archives.] Retrieved 10 Aug '21</ref> | The film has a runtime between 8-9 minutes, contrary to what BFI lists.<ref>[http://collections-search.bfi.org.uk/web/Details/ChoiceFilmWorks/150658318 British Film Institute page for Larceny.] Retrieved 21 Jul '21</ref> This is supported by the UCL film society page and a Nolan interview conducted during the post-production of Memento.<ref>[https://chrisjonesblog.com/2010/08/exclusive-interview-with-christopher-nolan-and-emma-thomas-from-our-guerilla-film-makers-archives.html Exclusive Interview with Christopher Nolan and Emma Thomas from our Guerilla Film Makers Archives.] Retrieved 10 Aug '21</ref> | ||
Multiple copies are known to still exist. In an email, Ivan Cornell confirmed he held onto a copy. Over Twitter DM, David Julyan also confirmed he owned a VHS copy of the short. Both refused to release it. Cambridge Film Festival may have a copy, but according to an email from the 1996 festival director, a search for the short was conducted a few years ago with no luck. UCL Film Society is confirmed to still possess a private copy in their archive. According to Jeremy Theobald, who lost his personal copy, Nolan still maintains tight control over the short film's rights. | Multiple copies are known to still exist. In an email, Ivan Cornell confirmed he held onto a copy. Over Twitter DM, David Julyan also confirmed he owned a VHS copy of the short. Both refused to release it. Cambridge Film Festival may have a copy, but according to an email from the 1996 festival director, a search for the short was conducted a few years ago with no luck. UCL Film Society is confirmed to still possess a private copy in their archive. According to Jeremy Theobald, who lost his personal copy, Nolan still maintains tight control over the short film's rights, hence why it won't be released. | ||
==Synopsis== | ==Synopsis== | ||
Christopher Nolan has consistently described the short as "about a burglary. | Christopher Nolan has consistently described the short as "about a burglary" in various interviews. | ||
In an exclusive interview within ''Christopher Nolan: A Critical Study of the Films'', Jeremy Theobald states the following: | In an exclusive interview within ''Christopher Nolan: A Critical Study of the Films'', Jeremy Theobald states the following: | ||
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::[This was] unlike all the other film society scripts at the time that I'd read, which were quite surreal ... slamming doors of train on Euston Station, when ::trains had doors that could slam. This was witty. It was funny, it was pithy, and it was dark. It had a great twist at the end. [I was offered the] lead part in ::that. And that became ''Larceny'', the ten-minute short that we shot in one weekend in Chris' flat. A Saturday and a Sunday. | ::[This was] unlike all the other film society scripts at the time that I'd read, which were quite surreal ... slamming doors of train on Euston Station, when ::trains had doors that could slam. This was witty. It was funny, it was pithy, and it was dark. It had a great twist at the end. [I was offered the] lead part in ::that. And that became ''Larceny'', the ten-minute short that we shot in one weekend in Chris' flat. A Saturday and a Sunday. | ||
An Empire magazine issue includes an interview with Jeremy Theobald. In it, he Theobald sums up his three collaborations with Nolan, including ''Larceny.'' | |||
::A man breaks into a flat startling the occupant (me). They argue about the new girlfriend of the 'burglar', who's come | ::A man breaks into a flat, startling the occupant (me). They argue about the new girlfriend of the 'burglar', who's come | ||
to get her stuff. Then a third man bursts out of the cupboard | ::to get her stuff. Then a third man bursts out of the cupboard... | ||
This | This aligns with how ''Larceny'' is described as being shot in Nolan's flat at the time by Theobald in a 2018 interview.<ref>[https://www.nolanfans.com/forums/viewtopic.php?f=8&t=19&view=unread#unread Nolan Fans Forums thread on Nolan's lost short films.] Retrieved 10 Aug '21</ref> | ||
According to the British Film Institute: | According to the British Film Institute: | ||
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Despite being an archive, this isn't a particularly reputable source given other small mistakes (including the runtime). Take this with a grain of salt. | Despite being an archive, this isn't a particularly reputable source given other small mistakes (including the runtime). Take this with a grain of salt. | ||
IMDb lists the synopsis as "A man who likes to pick-pocket people, gets chased through the woods by the people he's trying to steal from." This is incorrect as the entire short was filmed in Nolan's flat. Furthermore, Jeremy Theobald was able to confirm its inaccuracy. | IMDb lists the synopsis as "A man who likes to pick-pocket people, gets chased through the woods by the people he's trying to steal from." This is incorrect as the entire short was filmed in Nolan's flat. Furthermore, Jeremy Theobald was able to confirm its inaccuracy in a private message. | ||
==Film Credits== | ==Film Credits== | ||
Revision as of 22:07, 19 October 2021
Poster for the short film. Possibly unofficial; source of the image unknown (particularly the top half).
Status: Lost
Larceny is a 1996 short film directed by Christopher Nolan. The film was created over the course of a single weekend in 1995 while Nolan was part of the University College London film society. He shot it using UCL film society equipment, including an Arriflex 16BL camera.[1][2] Similar to his debut feature film Following, it was a "no-budget" film funded solely by Nolan himself.
The short was only shown once, at the 1996 Cambridge Film Festival.[3] It was regarded as "one of the best (if not the best) shorts of filmsoc recent generations" by UCL film society and said to "[contain] some superb hand-held camera work, and a fast paced gripping story."
The film has a runtime between 8-9 minutes, contrary to what BFI lists.[4] This is supported by the UCL film society page and a Nolan interview conducted during the post-production of Memento.[5]
Multiple copies are known to still exist. In an email, Ivan Cornell confirmed he held onto a copy. Over Twitter DM, David Julyan also confirmed he owned a VHS copy of the short. Both refused to release it. Cambridge Film Festival may have a copy, but according to an email from the 1996 festival director, a search for the short was conducted a few years ago with no luck. UCL Film Society is confirmed to still possess a private copy in their archive. According to Jeremy Theobald, who lost his personal copy, Nolan still maintains tight control over the short film's rights, hence why it won't be released.
Synopsis
Christopher Nolan has consistently described the short as "about a burglary" in various interviews.
In an exclusive interview within Christopher Nolan: A Critical Study of the Films, Jeremy Theobald states the following:
- [This was] unlike all the other film society scripts at the time that I'd read, which were quite surreal ... slamming doors of train on Euston Station, when ::trains had doors that could slam. This was witty. It was funny, it was pithy, and it was dark. It had a great twist at the end. [I was offered the] lead part in ::that. And that became Larceny, the ten-minute short that we shot in one weekend in Chris' flat. A Saturday and a Sunday.
An Empire magazine issue includes an interview with Jeremy Theobald. In it, he Theobald sums up his three collaborations with Nolan, including Larceny.
- A man breaks into a flat, startling the occupant (me). They argue about the new girlfriend of the 'burglar', who's come
- to get her stuff. Then a third man bursts out of the cupboard...
This aligns with how Larceny is described as being shot in Nolan's flat at the time by Theobald in a 2018 interview.[6]
According to the British Film Institute: "A man with a bag over his head is being beaten up by a gangster but pleads mistaken identity. It turns out that he is the room-mate of the man they're looking for, who is at that moment boarding a plane out of the country." Despite being an archive, this isn't a particularly reputable source given other small mistakes (including the runtime). Take this with a grain of salt.
IMDb lists the synopsis as "A man who likes to pick-pocket people, gets chased through the woods by the people he's trying to steal from." This is incorrect as the entire short was filmed in Nolan's flat. Furthermore, Jeremy Theobald was able to confirm its inaccuracy in a private message.
Film Credits
Starring: The Man - Jeremy Theobald, Toby - Mark Deighton, Wooly Hat - Dave Savva
Production Assistant: Emma Thomas
Sound: David Lloyd
Assistant Director: Nigel Karikari
Music: David Julyan
Assistant Camera: Ivan Cornell
Written, Directed, Shot and Edited: Christopher Nolan
Produced: Christopher Nolan, Ivan Cornell
Thanks: Mike Dunderdale, Steve Street, Bloomsbury TV, UCL Film Society
Gallery
From left to right: Jeremy Theobald and Mark Deighton.
Jeremy Theobald.
From left to right: Jeremy Theobald and Dave Savva.
External Links
References
- ↑ Christopher Nolan on "Following" - Conversations Inside The Criterion Collection. Retrieved 21 Jul '21
- ↑ UCL Film Society page (archived). Retrieved 22 July '10
- ↑ Christopher Nolan: A Critical Study of the Films Retrieved 21 Jul '21
- ↑ British Film Institute page for Larceny. Retrieved 21 Jul '21
- ↑ Exclusive Interview with Christopher Nolan and Emma Thomas from our Guerilla Film Makers Archives. Retrieved 10 Aug '21
- ↑ Nolan Fans Forums thread on Nolan's lost short films. Retrieved 10 Aug '21