Untitled Charles Manson Project (unreleased recordings; late 1960s)

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This article has been tagged as NSFL due to its disturbing subject matter.



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Charles Manson soon after his arrest in 1970.

Status: Lost

In 1968, notorious cult leader Charles Manson struck a friendship with Dennis Wilson of the Beach Boys. Manson aspired to become a musician and felt his connection to Wilson would give him a space in the music industry. Life, however, did not work out as Manson hoped, and in 1969, the infamous "Manson Murders" occurred.

While Manson would technically get his wish in the years after the incident, there were attempts made in 1968 and 1969 to record music. According to Manson, during his brief friendship with Dennis, he would be invited to Dennis’s brother Brian’s home studio to record tracks. Manson himself has said of the sessions, “We did a pretty fair session, putting down about ten songs”. Steve Desper, the Beach Boys’ engineer who was involved with these sessions, said about the songs, “pretty good… he had musical talent.” These sessions would be produced by both Dennis and (albeit reluctantly) Brian.

What is known, however, is that they were finished songs. Reportedly, Manson would rarely take more than one vocal take for each track. Although the song titles are unknown, it is suspected that some of the songs would be re-recorded and released in Manson’s Lie: The Love and Terror Cult (1970).

By 1969, however, things between Manson and Dennis soured considerably. Dennis went behind Manson’s back and took his song “Cease to Exist”, re-wrote some lyrics, and released it as “Never Learn Not to Love” on the Beach Boys album 20/20 (1969). This angered Manson very much; he not only sent death threats to Dennis but this event is speculated to be one of the factors in triggering the Tate/LaBianca murders later that year (along with the Helter Skelter prophecy).

Since then, these recordings (at least in its original Dennis and Brian-produced incarnation) have not seen a release. Everyone in the Beach Boys camp denies its existence, however. Some who were involved, like Steve Desper, have confirmed that the recordings do in fact exist. According to music historian Andrew Doe, the chance of seeing these recordings as an official release are “not a hope in hell”, though there are rumors that bootlegs exist. If they do, they are extraordinarily rare.

Gallery

Dennis Wilson in 1969.

Sources